SXSW

‘Spy’ Review: An Empowering but Uneven Female Spy Spoof
‘Spy’ Review: An Empowering but Uneven Female Spy Spoof
‘Spy’ Review: An Empowering but Uneven Female Spy Spoof
Paul Feig’s The Heat took a genre that has traditionally belonged to men — the buddy cop movie — and gave it a female twist. Feig’s new movie, Spy, does much the same thing, this time for spy films, a world that has long been by, about, and for dudes and their power fantasies. Spy explicitly subverts the genre’s typical gender dynamics by casting Melissa McCarthy as a lowly, desk-bound CIA analyst named Susan Cooper, who has spent her entire career in the shadow of a glamorous James Bond-esque spy (Jude Law) and then finally gets her opportunity to step into the spotlight and become a full-fledged field agent.
‘Kurt Cobain: Montage of Heck’ Review: Documentary Exposes a Man Who Resented Exposure
‘Kurt Cobain: Montage of Heck’ Review: Documentary Exposes a Man Who Resented Exposure
‘Kurt Cobain: Montage of Heck’ Review: Documentary Exposes a Man Who Resented Exposure
There are few mysteries more grim than that of a suicide, particularly of such a beloved and iconic celebrity. That death can blur the line between fandom and the entitled urge to know more about their private lives — as was and still is the case with Kurt Cobain, guitarist and frontman of prolific ‘90s grunge outfit Nirvana. Kurt Cobain: Montage of Heck gives us unprecedented access to the mind and soul of someone who never took interviews seriously and resented his overnight rise to fame.