It’s not guaranteed, but there’s a legitimate chance that when all is said and done that Despicable Me 3 reigns supreme as the top-grossing movie of the 2017 summer box office. The previous sequels, plus the Minions spinoff, have grossed more than $2.6 billion worldwide, and each of the last two made well over $300 million in the United States alone. Despicable Me 3 looks like it will offer plenty of what fans of the series crave: Those goofy gibberish-spouting Minions, wacky misadventures, and plenty of Steve Carell’s lovably evil Gru, plus now he’s got a twin brother (or, as he calls him, “a tween broothur”) to contend with as well.
“Tennis drama” sounds like one big snooze of a subgenre, but before you close this tab, hear me out – Battle of the Sexes ain’t just any tennis drama. The Emma Stone-Steve Carell film recounts the famous titular match where Billie Jean King beat Bobby Riggs on national television in 1973. And it was far more entertaining than your average round of tennis.
Steve Carell's joke raised and dashed 'Office' fan's hopes, and served as a critique of the reboot-addicted TV landscape we've all come to accept as great.
The Golden Globes have a reputation as a kind of edgy awards ceremony. (Well, edgy by the standards of awards shows anyway.) But this year’s host, Jimmy Fallon, is about as edgy as sphere, and his monologue lacked the bite of other previous hosts like Ricky Gervais. The only really funny moment of the night came during one of the awards presentations, when Steve Carell and Kristen Wiig took the stage to give out the Golden Globes for Best Animated Feature.
This larger-than-life story will form the basis of The Battle of the Sexes, a planned film with Emma Stone and Steve Carell in the starring roles. Variety reported on Stone’s involvement with the picture late last night, confirming that the star of Easy A and Aloha would replace Brie Larson (who had to drop out to star in The Glass Castle) for the Billie Jean King part.
Adam McKay’s best known as the director of Will Ferrell comedies like Anchorman and Step Brothers. His films tend to be weird, bizarre, and silly. But his 2010 buddy cop comedy The Other Guys ended on a note that was more outraged than outrageous: Animated infographic closing credits that outlined the reasons and details of the 2008 economic collapse (which was the background of the case investigated in the film by Ferrell and Mark Wahlberg’s characters).