If you only look at the surface numbers, this was a pretty predictable week at the box office. Wonder Woman did well, The Mummy did not, and everything else shook out accordingly. That being said, there’s some pretty interesting narratives emerging in the how and why of this weekend’s box office report. Let’s take a look at the rankings as of Sunday afternoon and dive into some of the specifics:
As excited as we are for this summer’s Atomic Blonde — you can read our own glowing review from this year’s SxSW if you still need a gentle nudge — you’d think we’d be all over every new piece of footage from the movie. But it seems a few clips managed to slip through our fingers this past week, so I’m taking this opportunity to bring you back up to speed. Two new Atomic Blonde clips, each themed to a piece of period-appropriate music? Plenty of Charlize Theron kicking [expletive] and taking names? Yeah, that’s definitely worth circling back a little bit for those of you who may have missed these clips.
Look, we all know that there’s a moment for every movie. Sometimes you want to watch the challenging documentary about a group of people struggling against a broken system; sometimes you want to watch the award-winning foreign film that exposes injustices in another country. And sometimes, just sometimes, you want to watch the movie where Antonio Banderas plays a mall cop who shoots a bunch of bad guys in the head. We may not be able to help you with the first two, but today? Today we’ve got enough Banderas goodness to make your Sunday just a little brighter.
Is Tom Hardy doing OK? I mean, financially? After years of alternating between prestige films (The Revenant, Dunkirk) and more idiosyncratic projects (Legend, The Drop), Hardy seems to have accepted a streak of surprisingly mainstream blockbuster roles. After being attached to Ubisoft’s video game adaptation Splinter Cell for several years, Hardy recently shocked fans by accepting the title role in Sony’s Venom spinoff. And now, perhaps most surprising of all, is the rumor that Hardy is very close to signing on for the role of Jafar in Disney’s live-action Aladdin remake. At this point, maybe we should create a GoFundMe for whatever gambling debt Hardy seems to have racked up.
Rejoice, parents: you’ll soon have a new Christmas movie to add to your family’s holiday rotation. If your family was anything like my own, you probably grew tired of placating screaming nieces and nephews with the same ratty DVD copies of A Christmas Story, Elf, or Home Alone. That makes any new holiday movie — regardless of quality — a welcome change of pace. Arthur Christmas? Fine. Rise of the Guardians? It’ll do in a pinch. Rare Exports: A Christmas Tale? Maybe save that one for the time in the evening when the uncles break out the adults-only eggnog. But a Melissa McCarthy Christmas comedy? That could be quite a boon for tired family members everywhere.
A few weeks before Wonder Woman hit theaters, film critics took to social media to share their early reactions of the newest movie in the DC Cinematic Universe. And while critics had plenty of great things to say about the film’s overall tone and Gal Gadot in particular, one sentiment above all others kept bubbling to the surface: this movie was funny. When fans got a chance to see the movie for themselves, they were pretty quick to agree. Gadot’s fish-out-of-water take on Diana Prince, combined with Chris Pine’s deadpan delivery as the superhero’s straight man, makes Wonder Woman one of the funniest comic book movies to date.
Based on how this weekend’s box office numbers shaped up, odds are good that you either saw Wonder Woman this weekend or you avoided the theater altogether. It was a record-setting few days for everyone’s favorite warrior princess — sorry, Xena — but things were decidedly less rosy if your movie was… well, literally anything else. Here are the box office estimates as of Sunday afternoon:
We’re less than a week away from Universal’s latest attempt to launch a Dark Universe, and fans are still uncertain as to what’s in store for their favorite iconic horror characters. With stars like Tom Cruise and Russell Crowe on board, will The Mummy be more action-packed than horrific? Does Cruise have another hit franchise on his hands — to go along with the Mission: Impossible and Jack Reacher films — or will fans wish that this particular mummy had remained dead?
Since 2003, HBO’s Real Time With Bill Maher has been a divisive source of comedy and political commentary. If you believe the old adage that there’s no such thing as bad publicity, then the last few years have been particularly kind to the series; Maher has come under attack for his comments on an Ann Coulter protest at the University of California at Berkeley or his decision to give alt-right poster child Milo Yiannopoulos the chance to spread his message of intolerance to the masses. And while Maher has survived and even thrived at the center of controversy, his recent use of a racial slur on the show may be the final straw for even his most ardent supporters.
While the first trailers for Edgar Wright’s Baby Driver have hinted at the relationship between music and action in the film, a few fans are probably still wondering why so many critics have referred to the film as a “car chase musical.” Do characters actually burst out into song in the middle of the film? Should we expect dance numbers in the middle of a bank robbery? The trailers for Baby Driver have been very good, of course, but they also hint at a more traditional care chase movie, albeit one with an Edgar Wright twist. What’s the real deal?
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